Map making - Basic Rules » History » Version 1
Giulio Di Anastasio, 05/05/2021 17:38
1 | 1 | Giulio Di Anastasio | h1. Map making - Basic Rules |
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3 | 1 | Giulio Di Anastasio | Regardless of the cartographic style or content, most maps have the following common elements. |
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6 | 1 | Giulio Di Anastasio | h2. TITLE |
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8 | 1 | Giulio Di Anastasio | The title should be in a large font, easily identifiable as the title of the map and should include descriptive text as to the location and purpose of the map. If the map is thematic, the theme should be included in the title. For example: Corn Production in Washington, 1990. The title is usually the largest font size of all lettering on the layout, however, it should not dominate the map graphic itself. The title may or may not be in a box and does not need to be at the top of the page (though it often is). For published materials (e.g., books or articles) the title may be included in a figure caption instead. |
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12 | 1 | Giulio Di Anastasio | h2. SCALE INDICATOR |
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14 | 1 | Giulio Di Anastasio | The scale of the map is typically indicated by a graphic bar scale, a representative fraction or a verbal scale. The reader must be able to determine the relationship between a unit of measure on the map and a unit of measure in the real world. |
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18 | 1 | Giulio Di Anastasio | h2. ORIENTATION |
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20 | 1 | Giulio Di Anastasio | A map should indicate which way is north (and/or south, east and west). Commonly this is done by a north arrow or compass rose. Orientation may also be shown by graticule or grid marks (e.g. lines of latitude and longitude). By convention north is towards the top of the page (thus some maps do not have north arrows), but the orientation must still be given for a 'proper' map. North does not have to be at the top of the page and a north arrow is essential in maps where it is not. |
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22 | 1 | Giulio Di Anastasio | h2. BORDER(s) |
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24 | 1 | Giulio Di Anastasio | A border identifies exactly where the mapped area stops. The border is often the thickest line on the map and should be close to the edges of the mapped area. The distance between the map and the border should be the same on all sides (balanced). |
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26 | 1 | Giulio Di Anastasio | There can also be a border around the entire map layout (enclosing and grouping the title, legend, text boxes, etc.). |
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28 | 1 | Giulio Di Anastasio | Both of these borders are sometimes referred to as a 'neatline.' In addition, there is sometimes a thin additional line just outside of a border (accentuating it and ideally making it more visually appealing) that may also be referred to as a neatline. |
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30 | 1 | Giulio Di Anastasio | h2. LEGEND |
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32 | 1 | Giulio Di Anastasio | A legend defines the symbols or colors (including shades of gray and patterns) used on the map. Maps do not need legends if the symbology is so common or simple as to be easily understood by the reader. However, it must be clear what each marker or line type, weight and pattern represents. The legend does not need to be labeled "Legend." The more complicated the symbology on a map the more important the legend becomes. |
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34 | 1 | Giulio Di Anastasio | h2. MAP CREDITS |
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36 | 1 | Giulio Di Anastasio | * SOURCE OF DATA (especially on thematic maps) |
37 | 1 | Giulio Di Anastasio | * NAME of the cartographer |
38 | 1 | Giulio Di Anastasio | * DATE of the map creation/publication |
39 | 1 | Giulio Di Anastasio | * DATE of the map data |
40 | 1 | Giulio Di Anastasio | * PROJECTION of the map (especially small-scale maps) |
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42 | 1 | Giulio Di Anastasio | h2. LOCATOR MAP (INSET) |
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44 | 1 | Giulio Di Anastasio | A locator map is needed if the area of the map is not easily recognizable or is of large scale. For example, if you map Whatcom County, there should be an inset map of Washington, showing the location of Whatcom County. Inset DETAIL map(s) may also be used to show an area of the map in greater detail (larger scale). |
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46 | 1 | Giulio Di Anastasio | h2. EFFECTIVE GRAPHICAL DESIGN |
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48 | 1 | Giulio Di Anastasio | The layout design is as important as effective sentence structure is to written text. Layout design refers to the planning and decision making processes involved in the visual display of the spatial data. You can achieve balance by rearranging the map elements (north arrow, legend, scale, title, etc.) and changing size of the text, border. etc. The map and map elements should be: |
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50 | 1 | Giulio Di Anastasio | * Neatly drawn |
51 | 1 | Giulio Di Anastasio | * Appropriately and consistently generalized |
52 | 1 | Giulio Di Anastasio | * Symmetrically balanced (avoid crowding or large blank areas) |
53 | 1 | Giulio Di Anastasio | * Without unnecessary clutter (keep it simple, be wary of 'artistic' details) |
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55 | 1 | Giulio Di Anastasio | h2. VISUAL HIERARCHY |
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57 | 1 | Giulio Di Anastasio | A hierarchy of symbology should be used for the lettering, line weights and shading. More important features are typically larger and/or darker, less important/background information should be smaller and/or lighter. At the same time, do not "over weight" or "under weight" features. |
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59 | 1 | Giulio Di Anastasio | h2. PURPOSE |
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61 | 1 | Giulio Di Anastasio | All maps have a purpose which should influence every element of the map and the map layout. A cartographer should be able to clearly articulate the purpose of their map and should keep the audience (who the map is going to be used by) and the client (who the maps is being produced for) in mind. |
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63 | 1 | Giulio Di Anastasio | h3. NOTE: Any, or all, of the above 'rules' can be (and frequently have been) violated at the discretion of the cartographer IF doing so produces a better map (better serving its purpose and audience). |
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65 | 1 | Giulio Di Anastasio | *In general, with cartography, less is more (avoid excessive clutter).* |